The Sony a6500 may be the company’s top-tier APS-C mirrorless model, a 24MP stills and video camera with image stabilization. It sits above the similar-looking a6300 in Sony’s lineup, adding touchscreen capability and stabilization for enthusiasts ready to dig just a little deeper to their pockets.
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24MP APS-C CMOS sensor with 425 phase detection points
2.36M-dot OLED EVF
Tilting rear touchscreen
5-axis in-body image stabilization
11 fps continuous shooting for 300 JPEGs / 100 Raws
1/4000 sec maximum shutter speed
As ought to be apparent, a lot of its core specifications are distributed to the a6300 – itself a DPReview Gold winning camera. The largest variations will be the touchscreen, the image stabilization and a ‘Front End LSI’ (processing chip) to permit faster and more technical processing. Additionally, there are a few small tweaks, including the addition of a highlight spot metering mode.
The touch sensitivity of the trunk screen can be utilised for the selection of a couple of things: as an touchscreen for positioning the focus point or triggering focus and shutter, or as a touchpad, when the camera is held to your eye.
The added processing oomph promises a far more responsive camera: the one which allows immediate image review even though shooting bursts of images. The a6500 also gains a much-needed update to Sony’s menu system, adding color-coding to create it better to recognize and remember various areas of the menu.
This change to the menu, and the addition of an instant method of setting AF point immediately address two of our biggest frustrations with the a6300. However, Sony is making no claims about improvements in conditions either of rolling shutter or of recording longevity. With recent firmware, the a6300 could record 4K video for the entire 29:59 duration that the camera allows but this is simply not always possible in warm conditions or if you have just shot an extended clip. Sony only claims ‘about 20 minutes’ of 4K recording for both cameras.
The a6500 uses the same form factor as both mid-range a6300 and the entry-level a6000
Despite being positioned drastically further up the marketplace, the a6500 uses the same form factor (and dial arrangement) as both mid-range a6300 and the entry-level a6000. Although all three cameras have two control dials, they are arranged in order that both must be manipulated using the thumb and, for many individuals, requiring the hand to be repositioned when switching in one to the other. Such a limitation is reasonable at the a6000 end of the marketplace but appears an odd fit for a $1400 camera.
The other similarity with the 6300 that appears even more odd as of this level is Sony’s decision to only offer lossy compressed Raw, limiting their processing latitude.
2016 was very good for high-end ILCs, as we’d expect from a Photokina year. Click on through to read more concerning this year’s crop of enthusiast and professional ILCs, and for your chance to vote which was best. Vote now
We just finished up an action-packed two days of photography in Austin, Texas with the brand new Sony a6500. Spoiler alert – it’s pretty impressive. See gallery
Just what a difference eight months could make. The Sony a6500, predictably, has both a whole lot in keeping with the a6300, but also adds some impressive updates. Have a look at what a supplementary $400 in car or truck really gets you. Read more
The a6500 may be the new top-end model in Sony’s type of APS-C cameras, offering competitive high-speed burst shooting, in-body image stabilization and a touchscreen. Have a look at how it looks (and how its 11 fps shutter sounds) inside our hands-on video. Read more
We got our practical the Sony a6500 soon after its announcement, and also have been digging through the menus and the specs to greatly help clarify why is it tick. Read more
Fujifilm’s latest entry-level Instax Mini model offers improved auto exposure over its predecessor and a simple-to-use interface. However, fun features and imaginative controls are mostly absent.
Fujifilm’s latest X-S10 is a likeable, easy-to-control mirrorless camera with a number of the company’s best tech packed within it. For users tempted by the Fujifilm ecosystem but switched off by all of the dedicated dials, the X-S10 will probably be worth a look.
With dual processors, dual card slots and more, Nikon’s Z7 Mark II is a far more capable camera than its predecessor atlanta divorce attorneys way. But of course, we’ve a few remaining qualms – find out precisely what we label of the Z7 II the following.
The Nikon Z6 II builds on the well-rounded stills and video top features of its predecessor, by adding dual processors, dual card slots and the choice to add a complete battery grip. It’s a subtle evolution but enough to keep carefully the $2000 Z model competitive.
For still photographers, we feel the Nikon Z5 represents the very best value your money can buy in terms of full-frame mirrorless cameras. Which explains why it receives our top award.
What’s the very best camera at under $1500? These midrange cameras must have capable autofocus systems, plenty of direct controls and the most recent sensors offering great image quality. In this buying guide we’ve rounded up all of the current interchangeable lens cameras costing significantly less than $1500 and recommended the very best.
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What’s the very best camera for under $1000? The very best cameras at under $1000 must have good ergonomics and controls, great image quality and become capture high-quality video. In this buying guide we’ve rounded up all of the current interchangeable lens cameras costing under $1000 and recommended the very best.
If you prefer a camera that one could grab and use and never have to page through the manual first, then this guide is for you personally. We’ve selected seven cameras which range from compacts to full-frame, which are simple to operate.
Long-zoom compacts fill the gap between pocketable cameras and interchangeable lens models with expensive lenses, supplying a great blend of lens reach and portability. Continue reading to learn about well known enthusiast long zoom cameras.