Because it first launched in 2015, the Nikon D5300 has been superseded by the D5500 and D5600. If you can still choose the D5300 for under £600 with an 18-55mm kit lens, the D5600 are available only from only £70 more and represents a good upgrade on the older model. Plus a touchscreen, better battery performance (820 shots vs 620 shots), the newer model has both Bluetooth and NFC, making transferring images to your phone a cinch. The D5600 also includes the newer 18-55mm VR AF-P kit lens that focuses quicker and quietly than its predecessor. For more facts about the D5600, click on the link below to learn our full review. Black Friday is here with you to get your fav products in low cost, so don’t miss any of the deal right here.

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Original review continues below: It’s been a couple of years since we first reviewed the Nikon D5300, where it’s still a correctly capable device, regardless if Nikon’s rivals have already been battling it out. Since launch, Nikon released the D5500 (shortly following the D5300’s launch actually) with its exceptional sensor yet disappointing kit lens and middling controls. Sure, it’s an excellent camera, nonetheless it just lacks consistency and brings forward problems within its predecessors.

Back again to the D5300, though, which graced our store shelves significantly less than a year because the D5200. Its main raison d’etre was its impressive 39-point autofocus sensor, which really set it in addition to the 700D’s 9-point and the K-50’s 11-point sensor. At that time its confusingly awkward controls and mediocre RAW performance set it back. A couple of years on, though, has it stood the test of time or has it fallen behind the pack?

Nikon D5300 review: Construction
Externally, there’s very little to tell apart the D5300 from its predecessor. It has shed 25g and some millimetres occasionally. The 3.2in, 1,036,800-dot screen is just a little bigger and sharper than before, and keeps its fully-articulated design – a major asset for video, macro and self-portrait shots. The drive mode button has been relocated from the very best plate left side, just underneath the lens release button. That arguably helps it be much easier to reach, but harder to find if you are still getting familiar with the controls.

As before, the self-timer function deactivates after every frame, which is pretty annoying when working with it in order to avoid shaking the camera if it is mounted on a tripod. Our other grumbles about the controls remain unresolved, too, with few labelled buttons so that it is over-reliant on menu navigation. Some key features including the auto ISO mode are buried deep within the key menu.

Nikon D5300 review: GPS and Wi-Fi

GPS and Wi-Fi are designed in. These features are relatively rare among SLRs, and it’s really the first time they are included in a Nikon SLR; they don’t appeal to everyone nonetheless they do to us. GPS offers a fun way to browse photography collections in Lightroom or Picasa, and Wi-Fi means you can transfer photographs to a smartphone or tablet and upload to social media without waiting until you go back home.

GPS at first became extremely flaky, frequently forgetting its position. It transpired that the Standby Timer option, that was on by default, meant that the GPS radio powered down after only a couple of seconds of inactivity. After disabling this feature, GPS worked a lot more reliably. Gleam log function, which will keep the GPS radio running even though the camera is off, although this drained the battery in about four hours.

Wi-Fi transfers to iOS and Android devices were handled elegantly. The procedure starts by sending low-resolution copies from camera to app. This took about 20 seconds for 100 photographs but made subsequent browsing extremely responsive. Transfers are in a selection of resolutions from VGA to full size. The iphone app can browse, transfer and display RAW files too, but these aren’t changed into JPEG format so other programs are unlikely in order to read them. It could transfer videos however, not play them.

^Control the focus point with a smartphone app

The iphone app also acts as a handy remote control for taking photos, filled with a live view stream. There’s touchscreen control over the autofocus area. The shutter button captures a photography without focusing, giving a shutter lag of around 200ms. The camera’s controls can not be found in this mode, but there’s another mode that lets an individual take photographs with the camera in the standard way and transfers them when they’re captured. This will be simply perfect for inspecting photographs on a high-resolution tablet, however the implementation could possibly be better. It only works if the iphone app is particularly waiting to get a picture instead of inspecting the prior one. As the iOS application is not a native iPad app, it generally does not take good thing about retina displays.

Nikon D5300 review: Video and shooting speed

The video mode now captures 1080p footage at a selection of 24, 25, 30, 50 and 60fps. The D5200’s 50 and 60fps modes were limited to 1080i capture, which is most beneficial avoided inside our opinion. We don’t possess much call to shoot at frame rates faster than 25fps, however the capability to slow footage down in software for atmospheric slow-motion shots makes this change worthwhile. 50 and 60fps clips are limited by ten minutes, while slower frame rates run for 20 minutes. Sadly, there is no improvement to the D5200’s clunky video autofocus, which should be invoked manually by half-pressing the shutter button, whereupon it darts backwards and forwards and adds audible whirrs to the soundtrack.

Shooting performance was broadly based on the results we got from the D5200. It took 0.6 seconds between shots in normal use, while continuous mode hit the claimed 5fps speed. With an easy SDHC card it kept this increase for 40 frames before slowing just a little, to 4fps. However, enabling digital correction for lens distortions saw performance slow to 2.4fps after eight frames. Raw continuous performance saw a bigger drop, slowing to at least one 1.6fps after six frames. Still, that’s much better than the D5200, which slowed after just four frames. It is also great to see that battery life is up from 500 to 600 shots.