Canon PowerShot G7X Mark II detailed review
Compact cameras with 1-inch sensors have their own place in the imaging market. They are directed at being fast, sharp shooters, without the trouble of changing lenses, and being small enough to squeeze in pockets very easily. While Sony has held fort in this category using its iconic RX100 lineup, Canon has been thereabouts, too. As the first generation G7 X and even the G9 X were reasonably decent attempts, that they had troubles in core performance, lens optics and some other areas.
The PowerShot G7 X Mark II here, Canon’s second-round attempt at Sony’s behemoth RX100 lineup, is a fairly solid camera in writing. There are many of notable upgrades, and Canon wants the G7X Mark II to become a camera that everyone would consider to be an important within their travel kits. Does it hit the proper chords?
Both present generation compact cameras at the moment will be the Sony CyberShot RX100 V, and the Canon PowerShot G7 X Mark II. Before we get started discussing the performance available, we look at what each one of these have on offer.
As the RX100 V does provide more with regards to continuous shooting, highest video resolution and even an electric viewfinder within the compact, pocketable frame, the Canon G7 X II has an equal bang for the buck on face of competition. As against older compatriots just like the Sony RX100 IV, Canon’s inclusion of the most recent generation DIGIC 7 image processor is an advantage, as it provides good edge regarding processing, autofocus and more.
Colour, saturation, white balance
The color production of the PowerShot G7X Mark II is basically typical of Canon’s warmer tone. Colours look sharp, although reds seem to be to get an unnatural amount of favour. Yellows, blues and particularly greens look slightly undersaturated, particularly in rich, vibrant compositions. However, they don’t look bleak, and you could choose to shoot RAW for post-shooting rectification. The brand new DIGIC 7 processor allows better, faster shooting of RAWs, and the G7 X II also produces lesser noise and better dynamic range, which result in causeing this to be camera the most useful compacts out there today.
To clarify, the colours are fairly accurate and good to check out, losing out on some richness of tone in its JPEGs. Saturation levels are biased towards high colour temperatures, and the white balance algorithms work fairly well. Here too, the camera will modify to warmer temperatures, that can be rectified utilizing the custom manual presets. Regardless of the better dynamic range, the Canon G7 X II produces a slightly limited selection of colours, nevertheless, you only realise this when you shoot within an extensively vibrant atmosphere, and compare results parallely.
For reference, since the common Indian user is more inclined towards a simple DSLR when compared to a premium compact, our comparison between your Nikon D3400 and the Canon PowerShot G7 X Mark II revealed the dissimilarities that show slightly limited dynamic range.
Details, sharpness, noise and ISO
Canon has drastically improved the amount of details, sharpness, noise reduction and ISO performance over its previous generation compacts. There is decent degrees of coarse details that work in wider frames, although macro shots do reveal having less fine details. The improved sharpening here works for some objects, though it does appear rather coarse after finer inspection.
This also lends edgy outlines using cases, particularly in falling light. Even though, the G7 X II is truly a fairly amazing performer with regards to detailing and object sharpness generally in most scenes. You also get yourself a dedicated Picture Styles mode to adapt sharpening strength, feathering and threshold, allowing control over sharpening radius.
Yet another impressive factor is noise reduction, and the Canon G7 X II does fairly well in low ISO shots. Lowering noise reduction levels usually do not ruin photographs with grains, and even in low light, although soft edges are recurrent, the G7 X II manages to retain colour accuracy, not rendering unusable noise levels beyond ISO 3200.
ISO performance can be decent, and you could shoot comfortably at up to ISO 1600 without much difficulty. Low ISO performance will not generate banding in uniform colours on low light, and flash range also extends up to 7.0m at ISO 100, which is rather decent. Also you can modify the angle of the pop-up flash module to bounce flash against walls, that is a neat addition.
As before, the autofocus performance still has a number of weak areas. For just one, letting go of the half-shutter-press while tracking a topic causes the camera failing woefully to recognise subject movement, and takes drastically long to try refocus. The phase detection pixels also have a problem with macro focusing consistency, and gets particularly confused if there are distinct shapes or sharper colours in the backdrop.
Full continuous autofocus on the Canon PowerShot G7 X Mark II can be acquired with the 1-shot Servo AF, which works fairly well. Constant subject tracking is effective with swift moving objects. However, this may substantially reduce battery life if you put it to use extensively. The autofocus performance is rather decent, and in the event the autofocus does not do the job, the inclusion of a smoother rear ring facilitates easier manual focusing.
More camera samples
Build, Design and Ergonomics
The Canon PowerShot G7 X Mark II is marginally smaller sized than its predecessor. In what’s a crucial little addition, it adds a tiny grip to the proper of the camera body. This helps it be simpler to hold. The energy button, zoom toggle, mode and EV compensation dials are at the top, and are fairly simple to operate.
You also get a tiny thumb grip on the trunk that makes shooting easier. Gleam shortcut to assign a particular function to leading ring, and the video recording button is located here as well. Discussing the ring, it now gets a lock which allows it to be switched between smooth or stuttered operation. This makes manual concentrating on the G7 X II substantially easier, and you could utilize the stuttered mode when sifting through settings.
Another neat decision by Canon is shifting the display hinge to underneath, and it could now be tilted downward by 45 degrees, rather than just being tilted upward. Most of these make the camera more ergonomic and better to use, and its own 319g weight isn’t an excessive amount of on pockets. The look also gets more defined edges because of the added grip and slightly reduced bearings, which make it look, feel and operate quite nicely.
Connectivity and Battery life
The Canon G7 X II gets Wi-Fi and NFC connectivity. You will require the Canon CameraConnect software on your own phone, and make make use of it to transfer files on the run, or use your phone as a remote for the camera. For NFC-enabled Android users, choosing the NFC mode and tapping the telephone on underneath of the camera body transfers the image being displayed on the camera LCD at that time.
The battery cycle for the Canon PowerShot G7 X Mark II lasts for practically 300 shots, which is somehow a lot more than what the business advertises. This means around three full days of shooting with it for some casual/tourist photographers. That is fairly average, and is really a lot more than its prime market rival, the Sony RX100 lineup.
The Canon PowerShot G7 X Mark II is a good compact shooter. It offers good colours, details and overall imaging performance, plus a few nifty features, upgraded dials and toggles and decent battery life, all at a compelling price. As the Sony RX100 V has some more features up its sleeve, it retails at practically double the purchase price, which lends superior affordability to the G7 X II